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Renaissance
''Matona mia cara'', Orlando di Lasso (1532 - 1597)
FarrierPete
2:57 Est. Play
Time
116 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
Baritone Bass 11 0 3 5 100%
Bass Bass 12 0 1 4 98%
 
Suite Española, Gaspar Sanz
PreludeAndFugue
11:54 Est. Play
Time
425 Measures
1,784Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 32 35 8 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 32 35 8 6 97%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Lachrimae Antiquae for Guitar Duo, John Dowland
PreludeAndFugue
1:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
 
Meine Seel erhebt den Herrn
Bartók forever
0:24 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 0 4 6 100%
Bass 12 0 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 0 4 6 100%
Bass 12 0 1 6 100%
 
Anthony Holborne - The Fairy round - for guitar
Daniel Rubin
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
 
Modus Ludendi Pleno Organo Pedaliter. SSWV 157
Bartók forever
3:03 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
 
N. Vicentino: Madonna, il poco dolce
intasei
1:19 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 6 100%
Contra 15 0 6 5 96%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 6 100%
Contra 15 0 6 5 96%
Tenor 13 0 4 6 96%
Basso
Continuo		 Bass 12 0 3 6 96%
Bassus Bass 12 0 3 6 96%
 
Adoramus te Christe (TTBB)
esmeadows
1:08 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 9 0 2 6 100%
Tenor
2		 Treble 11 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 9 0 2 6 100%
Tenor
2		 Treble 11 0 3 7 100%
Bass Bass 8 0 1 5 94%
Tenor
1		 Treble 8 0 1 6 91%